My specialty in composition centers on autonomous electronics, behaving independently or reacting dynamically to performer input. When employing a live performer, this method opens possibilities of evolving interaction and improvisation that can represent developing narratives or explorations in the music. Conversely, without a performer, openness and uncertainties in algorithmic generation can depict an ever-changing soundscape in which the performance is not a human but the sound itself. Both methods explore the natural uncertainties of both human and natural phenomena and how their interaction can manifest in music.
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Ringing Cascades (2026)
Live algorithmic sound
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Beyond (2026)
Live algorithmic sound
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Phosphenes (2024)
iPad and live electronics
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Fork
AI composition tool
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Tempest of Glass (2023)
Disklavier and live electronics
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//run with caution (2022)
Light sensors, beer cans, and live electronics
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Drops (2021)
Fixed media
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Solace (2020)
Clarinet in A
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i am sitting in a zoom (2021)
two narrators and audiovisual live electronics
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Void (2021)
Light sensor, beer can, live electronics
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Two Statements (2021)
oboe, clarinet, bassoon
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Press for Audio (2020)
Fixed media
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Fantasia (2019)
Violin and vibraphone
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Excursions (2018)
String orchestra
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Reminiscence (2015)
String quartet

