Zheng, Victor. “Hierarchies of Control in Interactive Computer Music.” Paper presented at New York City Electronic Music Festival, New York, NY, June 22–28, 2026. https://www.academia.edu/170117261/Hierarchies_of_Control_in_Interactive_Computer_Music.
Novak, Paul, Jonah Nuoja Luo Haven, and Ess Whiteley. “Martirano Award Spotlight: Meet the 2025 Winners.” Interviews by Victor Zheng. University of Illinois Urbana-Champaign School of Music News. April 13, 2026. https://music.illinois.edu/about-us/news/martirano-award-spotlight-meet-the-2025-winners/.
Zheng, Victor. “qFlo.” In Mensch und Computer 2025 – Workshopband. Chemnitz: Gesellschaft für Informatik e.V.. MCI-WS06: Innovative Computerbasierte Musikinterfaces (ICMI), 2025. https://doi.org/10.18420/muc2025-mci-ws06-209.
Barash, Omer and Victor Zheng. “Martirano Award Spotlight: Omer Barash — The Poetry, Pollination, and Art of Composition.” University of Illinois Urbana-Champaign School of Music News. March 21, 2025. https://music.illinois.edu/about-us/news/martirano-award-spotlight-omer-barash-the-poetry-pollination-and-art-of-composition/.
Fisher-Lochhead, Chris and Victor Zheng. “Martirano Award Spotlight: Chris Fisher-Lochhead’s ‘stutter-step the concept.’” University of Illinois Urbana-Champaign School of Music News. March 14, 2025. https://music.illinois.edu/about-us/news/martirano-award-spotlight-chris-fisher-lochhead/.
Fawcett, Daniel and Victor Zheng. “Martirano Award Spotlight: Daniel Fawcett’s Unique Sonic Vision.” University of Illinois Urbana-Champaign School of Music News. March 7, 2025. https://music.illinois.edu/about-us/news/martirano-award-spotlight-daniel-fawcetts-unique-sonic-vision/.
Zheng, Victor. “Fork: Composing a Live Soundtrack for Chess.” Paper presented at SuperCollider Symposium, Johns Hopkins University, 13–15 March 2025. https://supercollider-2025.github.io/papers/Zheng.pdf.
Zheng, Victor. “Chess and Music: Quantitative and Artistic Interpretation of Information.” In International Conferences Proceedings 2025: Information Systems and e-Society, 470–474. IADIS Press, 2025.
Zheng, Victor. “The Interpretive-Generative Spectrum and its Role in The Form of Live-Performed Electroacoustic Music.” In Proceedings of the 2024 International Computer Music Conference, 226–229. Ann Arbor, MI: Michigan Publishing Services, 2024. https://hdl.handle.net/2027/fulcrum.2227ms73r.
Zheng, Victor. “Form and Analysis in Live-Performed Electroacoustic Music.” DMA thesis, University of Illinois Urbana-Champaign, 2023.
